Lord from the Flies, Chapter 1 Stylistic Analysis
In Chapter you of " Lord from the Flies, ” William Golding uses darker and depressed tones to elucidate the alienation in the boys on st. kitts and the intensity of their problem. The narrator uses raw and simple diction with violent imagery to illustrate the savage and destructive characteristics of gentleman. The boys are hence presented while inherently dangerous by nature. Golding uses intense and simple diction in Chapter 1 of " Our creator of the Flies. ” The word " scar” is used to describe the crash site, suggesting that the area has been injured, and horrific phrases just like " warmer than blood” (to explain the water inside the lagoon) are being used. The narrator uses basic but brutal words to spell out the island as well as the actions from the boys in Chapter 1 ) This is done to create an ominous, menacing atmosphere, and to hint in the inherent savagery of individuals. The imagery of Phase 1 is concisely chaotic. The site of the plane crash is a " scar, ” the boys' cuts that they leave inside the trees will be " gashes, ” and lightning and thunder will be described as " a blue-white scar” and " the blow of a gigantic mix, ” correspondingly. Golding uses words generally associated with physical violence and discomfort to describe the boys' activities, their effects on the island, plus the island's individual unforgiving mother nature. This is done to raise the problem of whether the boys regress into savagery due to the island's cruelty, or if the young boys were innately violent and barbaric. Through the entire chapter, Golding invites someone to observe the natural violent inclinations of individuals when separated from civilized society. It really is through the use of raw and simple diction with to the point, violent images that Golding is able to set up the colors of doubt and negativity, and a decidedly dark mood that often foreshadows impending doom.